My favourite film in a long time is the
documentary opening in Perth this week Lygon Street Si Parla Italiano. If it is
showing anywhere near you, make a point of seeing it. It’s so enjoyable. There’s
also a film that literally sucks. A friend asked me what films I could recommend
at dinner last night. My answer: “Not a lot. They’ve been really bad lately.” I’m
just hanging out for some of the tried and trues with Captain America and Spiderman.
This is the time of year when they trot out fillers more than normal. So other
than the couple Australian films that I’ve recommended here, this might be a good
time to catch up on some of the Oscar films that are still showing.
(My movie Pick
of the week)
Lygon
Street Si Parla Italiano ✪✪✪✪✪
Opens
in Australia: 6th March 2014
Other Countries: Release Information
Perth, Australia: See at Luna Cinemas
MY THOUGHTS
I married into an Italian family almost fifteen
years ago. Often, I tell people it felt like I’d immigrated without having my
passport stamped. Even though they live thousands of miles from the homeland,
the Italians still maintain their strong ties and culture well into the first
and second generation. My late father-in-law arrived in Perth in 1952, and he
and his fellow immigrants helped to build the roads and, no doubt, contributed
to the early culture of Perth in Northbridge, North Perth and other areas of
the city. My mother-in-law arrived in 1955.
I’ve learned about their culture and my children’s
heritage over noisy family gatherings and quiet coffees with my mother-in-law.
They had four children, eleven grandchildren, and we even have a great-grandchild
in the family. The food is fabulous as you can imagine, and if you want to gain
insight into loyalty, family, tradition and passion, marry into an Italian
family like mine.
If you want to gain respect for the courage of
early immigrants and the hardship of not speaking the language of the new
country you call home, or learn of their culture, then just sit down for a
coffee with an immigrant from the fifties and sixties. In this age of Skype,
email and cheap air travel, it’s difficult to comprehend what it must have been
like to leave your family behind, possibly forever, at such a young age with
few facilities available for communication back to your home. But if you can't do that, this film is the next best thing.
When I saw the screening invite for Si Parla
Italiano in my inbox I decided here was a film I wanted to share with my
family-in-laws. Along with my first generation Italian husband, I also took
along my mother-in-law, and one of my brother-in-laws. Most of the stories told
in this documentary could be the stories of Northbridge, Perth. The same simple
humor and view of life shared by the fabulous characters, who created the
flavour of Melbourne’s Lygon Street, can be found here in Perth.
It’s one of the most humorous films you will see,
documentary or not, and you will fall in love with these men, and marvel at
their determinedness to make a life in this alien country of Australia, whose
inhabitants also viewed them as so alien. Casting Anthony La Paglia as the
narrator was genius. He adds so much to the telling of the story of Lygon
Street.
My family loved this film, as did I, and it made
me feel proud and privileged through marriage to be exposed to this wonderful
culture. When the kids are just a little older and can appreciate it, we will
be watching this documentary together so they can more appreciate their Nonna
and Nonno.
Even if you don’t know a single Italian or live in
Melbourne, you should see this film. It’s so delightful and so entertaining it
will have you skipping from the theatre, shouting viva Italia. If you are in an
Italian family, then you cannot miss this. Lo
amerete.
STUDIO BLURB
Narrated by AFI and Golden Globe winner Anthony
LaPaglia, this funny, touching and overall fascinating documentary explores the
historic heartland of an Italian community and the unique circumstances that
transformed a country's way of living and eating.
After the disaster of World War II, a wave of
Italian immigrants found their way to Melbourne – a strange place, suspicious
of outsiders and completely devoid of a good cup of espresso. Congregating in a
then run-down stretch of Carlton known as Lygon Street, these irrepressible
restaurateurs, entrepreneurs and sometime mafiosi would come to define not only
a street, but an entire city.
Documentarians Shannon Swan and Angelo Pricolo
tell the history of this famous cultural epicentre, combining archival footage,
one-on-one interviews and a roundtable of Lygon Street's most prominent
figures, bringing to life the people,
places and, of course, pastas that have made up one of Melbourne's most
remarkable communities. (Some Italian language, English subtitles)
The
Armstrong Lie ✪✪✪✪
LOTTERY WEST
FILMS
Joondalup Pines: 11–16 March, 7.30pm, doors open 6.30pm
Opens
in Australia 13th
March 2014
Other
Countries: Release Information
Perth, Australia: 11–16 March, LotteryWest Film Festival
OUR THOUGHTS
I will say this if you haven’t seen an Alex
Gibney documentary, then you should see this one and then see some of his
others. He is the Spielberg of docos. His style is polished, informative, and
he has an ability to make the complicated easy to understand.
And, for the record I don’t care how many people
cheat in your sport, Lance, you were the worst, the most savage toward those
who attempted to stop you, and the most disgraceful. There is no spin you can
put on that to make it okay. You are still a great lesson for my children,
though—how not to win at all costs.
STUDIO BLURB
The rise and fall of a cultural icon and one of the biggest scandals
in the history of sport. Academy Award-winning documentary filmmaker, Alex
Gibney, delivers not only an absorbing account of Armstrong’s vehement denial
and subsequent guilt – illustrated with unrivalled access to colleagues,
cycling officials and the athlete himself – but also a layered exploration of
competition and the culture of celebrity and power.
Vampire
Academy ✪✪
Opens
in Australia: 6th
March 2014
USA: 7th February 2014
UK: 23rd April 2014
Other Countries: Release Information
MY THOUGHTS
The tag line for this film is: “They suck at school.” Here’s a new tag for them: “They suck at making films.” Can this please be the end of books about wimpy uncertain undead
filled with angst being transferred to film? They don’t work. I’m not referring
to films like “An Interview with a Vampire,” of course. That film did work. If
you enjoyed the books—I’ve heard they’re very good—there were big fans of the
book at the preview as guests, and even they thought the film sucked. If you
are tempted to go along and see it, do take the book with you and a reading
light, in case you get bored. At least then you will have something to do until
the film ends.
STUDIO BLURB
Rose Hathaway (Deutch) is a Dhampir: half human/vampire, guardians
of the Moroi, peaceful, mortal vampires living discretely within our world. Her
legacy is to protect the Moroi from bloodthirsty, immortal Vampires, the
Strigoi. This is her story. (c) Weinstein
Tracks
✪✪✪✪
Opens
in Australia: 6th
March 2014
USA: ? UK: 25th
April 2014
Other Countries: Release Information
Perth, Australia: See at Luna Cinemas
OUR THOUGHTS
You know I often have amusing interactions on social media with my
international pals regarding our Aussie laissez faire attitude to our country’s
seemingly teeming population of spiders, snakes, crocodile and sharks. We
Australians have an image, thanks to the late great Steve Irwin, of being
pretty tough characters.
This beautiful film Tracks will go a long way to perpetuating the
myth. But I can assure everyone that
this true-life story of Robyn Davidson’s trek across the centre of Australia
from Alice Springs to the Indian Ocean is not typical of the average Australian
woman. Most of us drive around a
supermarket car park several times to find the closest spot to the door.
It’s beautifully filmed and has more drama than a film that
basically is about someone walking a very long way. Australia is a harsh and mostly empty country
and, yet, this film shows it is also utterly magnificent.
You will find as you watch this film that you will shake your head
constantly; Robyn Davidson appears to be crazy. But I enjoyed that the film did
not turn her into some kind of heroic superwoman, nor delve into exactly why
she did it. It’s a simple, well-crafted, magnificently filmed story. Do see it.
I’m going to read the book.
STUDIO BLURB
Starring Mia Wasikowska
(Jane Eyre, Stoker) and Adam Driver (HBO's Girls, Frances Ha, Inside Llewyn
Davis), directed by John Curran (The Painted Veil, We Don't Live Here Anymore)
and from the OscarR winning producers of The King's Speech, Tracks is based on
the inspirational and iconic true story of Robyn Davidson. Robyn's phenomenal
solo trek from Alice Springs to Uluru and on to the Indian Ocean saw her
traverse 2700km of spectacular yet unforgiving Australian desert accompanied
only by her loyal dog and four unpredictable camels.
Charismatic young New
Yorker and National Geographic photographer Rick Smolan travelled from the
other end of the earth to capture, at intervals, this epic and remarkable
journey into one of the world's last great wildernesses. Robyn reluctantly
agreed to a visiting photographer in return for much needed trip funding and
could only see Rick's visits as intruding on her solitude and compromising
everything the journey meant to her.
However, this uneasy
relationship between two very different people would slowly develop into an
unlikely and enduring friendship.
Set against one of the
wildest, most dangerous and most breathtaking backdrops on the planet, this
unprecedented journey pushed Robyn to her physical and emotional limits and
taught her that sometimes we have to detach from the world to feel connected to
it. In witnessing this extraordinary journey we realise that the impossible is
within reach of us all.
All is Lost ✪✪✪✪ ½
Opens in Australia wide: 6th March, 2014
Other Countries: Release Information
I’ve already
posted this review but its now opening wide in Australia, so I’ve reposted for
your viewing pleasure.
MY THOUGHTS
This is an impressive solo performance from
Robert Redford. The physicality of his performance, of a lone man versing the
ocean and the elements, belies his 76 years. Also impressive is that this
is only the second film for director and screenwriter, J.C. Chandor. Add this
film to his Oscar nominated, “Margin Call,” and he becomes a filmmaker to
watch.
It’s an absorbing, hugely smart story that will
have you thinking “what next?” for this poor guy lost at sea. The tension
and dread are palpable. It may be a simple concept that we have seen before,
but with the skills of Redford and Chandor it is elevated to a thrilling
adventure classic.
STUDIO BLURB
Deep into a solo voyage in the Indian Ocean, an unnamed man
(Redford) wakes to find his 39-foot yacht taking on water after a collision
with a shipping container left floating on the high seas. With his navigation
equipment and radio disabled, the man sails unknowingly into the path of a
violent storm. Despite his success in patching the breached hull, his mariner's
intuition and a strength that belies his age, the man barely survives the
tempest. Using only a sextant and nautical maps to chart his progress, he is
forced to rely on ocean currents to carry him into a shipping lane in hopes of
hailing a passing vessel. But with the sun unrelenting, sharks circling and his
meager supplies dwindling, the ever-resourceful sailor soon finds himself
staring his mortality in the face.
What have you seen this week? Did you
find our comments helpful or do you disagree? Share your thoughts with us.
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