There is a good
pick this week (well this fortnight, I missed last week) of mostly solid Indie
film releases. They’re those films that usually have something interesting to
say with out all the bangs and whistles of the big buck studios. For all the mainstream lovers, Epic 3D is
pretty good animation for the holidays but sadly Man of Steel is a wretchedly
boring overkill. I am still cranky about
them getting it so wrong.
(My movie Pick of the week)
In
The House (Dans La Maison) ★★★★Opens in Australia: 27th June, 2013
Perth, Australia: See at Luna Cinemas
Other Countries: Release Information
OUR THOUGHTS
Ooh La La. This is a bit delicious. It’s a fascinating mystery and you will be
ducking and weaving with the twists and turns.
Is it real or just a wild story within a story? This is why I love French Cinema. Their
film-makers have a way of looking at ordinary lives and transforming them into
art and mystery. Sometimes they’re crazy and sometimes they are amazing. This
is both. Loved it.
STUDIO BLURB
A 16-year old boy, Claude, (Ernst Umhauer) insinuates himself into the house
of a fellow high-school student, Rapha, (Bastien Ughetto) and writes about his
family in essays that perversely blur the lines between reality and fiction for
his jaded literature teacher, Germain (Fabrice Luchini). Intrigued by this
gifted and unusual student, Germain rediscovers his taste for teaching, but the
boy's intrusion sparks a series of uncontrollable events. Kristin Scott-Thomas
plays Germain's wife, Jeanne, a contemporary art gallery director, who,
alongside her husband, avidly follows Claude's semi-imaginary escapades, while
Emmanuelle Seigner plays Rapha's mom, Claude's object of desire. (c) Cohen
Media
Opens in Australia: 27th June 2013
Other Countries: Release Information
OUR THOUGHTS
No, no, no.
This is not good what they have done to Superman. And it is almost unforgivable that director, Zac
Snyder (Sucker Punch, 300) managed to make Michael Shannon act badly. I thought
that was impossible. Its spot the 'A' list
actor but that means nothing if they have nothing to work with. Something has
gone terribly wrong in Hollywood when nobody tells Directors they have gone too
far and repeated the same scene too many times.
Yes, there is a spectacular fight sequence but we don’t need two of
them that drag the film out to 143 minutes.
And there are plot holes big enough for Superman to detonate some kind
of weird bomb in. Another reboot that
needs another reboot. Super-boring.
STUDIO BLURB
A young boy
learns that he has extraordinary powers and is not of this Earth. As a young
man, he journeys to discover where he came from and what he was sent here to
do. But the hero in him must emerge if he is to save the world from
annihilation and become the symbol of hope for all mankind. -- (C) Warner Bros
★★★½
Opens in Australia: 4th July, 2013
Other Countries: Release Information
OUR THOUGHTS
It’s charming
and colourful and I feel a little sorry for ‘Epic’. What animation release wants to go up against
‘Monster’s University’ or ‘Despicable Me 2’?
We needed ‘Epic’ last school holidays when there was a bunch of below
par animations released. It would have rocked then. It is a good, solid story, beautifully done
and I think the wee littlies will enjoy it.
My twelve-year-old harsh critic enjoyed as did his tag-along mate, Alex,
who wrote a full review
here. But I would see the other
two superstar animations before this.
STUDIO BLURB
EPIC is a 3D CG adventure comedy that
reveals a fantastical world unlike any other. From the creators of ICE AGE and
RIO, EPIC tells the story of an ongoing battle between the forces of good, who
keep the natural world alive, and the forces of evil, who wish to destroy it.
When a teenage girl finds herself magically transported into this secret
universe, she teams up with an elite band of warriors and a crew of comical,
larger-than-life figures, to save their world...and ours. -- (C) Fox
Opens in Australia: 27th June 2013
Other Countries: Release Information
Perth, Australia: See at Luna Cinemas
OUR THOUGHTS
The English
do these bio-pics extremely well. The
Director, Michael Winterbottom (Trishna, The Killer Inside Me) does not mind
confronting audiences. ‘The Killer
Inside Me’ is still one of the most violent and nasty films I have ever seen (and I didn't like it).
In this film,
we learn about the British smut King, Paul Raymond, who from this film we
gather is the equivalent of Hugh Hefner or Larry Flynt. You won’t feel a great deal of sympathy for
Raymond enduring the tragedies of his life.
It’s a well
crafted, interesting film, albeit probably not on a person I really care to
have this much detail. In saying this it
is interesting to see London in the swinging sixties and seventies. Warning, there is a great deal of sexual
content and nudity.
STUDIO BLURB
The Look Of Love is the quite extraordinary
true story of British entrepreneur and smut peddler Paul Raymond (played by
Steve Coogan), who made his fortune opening some of Britain's first strip clubs
and financing other classically un-British pursuits to eventually become
Britain's richest man. The film follows Raymond's life in humorous fashion
before leading up to the darkest parts of his life when his daughter (played by
Imogen Poots) and heir to his empire dies of a drug overdose.
★★★
Opens in Australia: 4th July 2013
Other Countries: Release Information
Perth, Australia: See at Luna Cinemas
OUR THOUGHTS
After
recently viewing ‘Mea Maxima Culpa: Silence in the House of God’ produced and
directed by Alex Gibney, I had high hopes for his latest documentary, ‘We Steal
Secrets’.
WikiLeaks is
a fascinating story and in viewing ‘We Steal Secrets’ I’d hoped to learn more about the headline-making,
white-haired enigma Julian Assange.
However, whilst it was interesting, I don’t think there was anything
here we didn’t already know.
There was
some insight into Bradley Manning, the analyst who leaked the super secret
military documents to WikiLeaks but instead of delving deeper into Assange and
Manning, there was a lot of repetitive information which filled the film out to
130 minutes.
For
documentary lovers who have been on another planet and know little of WikiLeaks
it will be fascinating. Although,
smoothly done, afterwards I felt rather a little spun by a documentary
exposition on the evils of ‘spin’.
STUDIO BLURB
Acclaimed
documentarian Alex Gibney (Enron: The Smartest Guys in the Room) takes the
reins for this no-holds-barred look at one of the most unusual phenomena of
early 21st century media. In 2006, an Iceland-based outfit called The Sunshine
Press launched the website WikiLeaks.org. As run by Australian Internet
activist Julian Assange, the site's mandate involved regularly publishing
top-secret documents and covert information, often regarding governments and
their respective military operations. As might be expected, this set off a
firestorm between those who admired the organization's bravado and
resourcefulness, and those who argued, not unjustly, that the dissemination of
data regarding such events as the U.S. war in Afghanistan could put untold
numbers of lives at risk. In We Steal Secrets, Gibney relays the story of the
WikiLeaks website from the inside, and moves beyond black and white to
penetrate a complex network of activity guided by courage and idealism but also
allegedly guilty of ethical insensitivity and hypocrisy. ~ Nathan Southern,
Rovi
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