THIS WEEK'S PREVIEWS
This week a
smart romance I loved in A PLACE FOR ME, we go disappointingly
where we’ve gone before with STAR TREK: INTO
DARKNESS, a laughable thriller in THE
CALL and an English family drama that’s almost there in BROKEN
(My movie Pick of the week)
A PLACE FOR ME (aka STUCK IN LOVE)
★★★★½
Opens in Australia: 16th May
Other Countries: Release Information
Perth, Australia: See at Luna Cinemas
OUR THOUGHTS
Sometimes you
are watching a film, and it’s a small film (no explosions, CGI) with actors
just portraying everyday people enduring everyday struggles like divorce,
teenagers, failures in career, and instead of watching, you are drawn into
something special. That is this film.
There are
moments, especially with the young leads where you hold your breath the
performances and script are that good.
You are inside their heads without them saying a word. My sister and my cousin came with me to this
and both loved it too. It’s funny but
not hilarious, moving but not over-sentimental. Choose this one if you want to
see master storytellers make magic.
STUDIO BLURB
Three years past his divorce,
veteran novelist Bill Borgens (Academy Award (R) nominee Greg Kinnear) can't
stop obsessing over, let alone spying on, his ex-wife Erica (Academy Award (R)
winner Jennifer Connelly), who ignominiously left him for another man. Even as
his neighbor-with-benefits, Tricia (Kristen Bell) tries to push him back into
the dating pool, he remains blind to anyone else's charms. Meanwhile, his
fiercely independent collegiate daughter Samantha (Lily Collins) is publishing
her first novel while recoiling at the
very thought of first love with a diehard romantic (Logan Lerman); and his teen
son Rusty (Nat Wolff) is trying to find his voice, both as a fantasy writer and
as the unexpected boyfriend of a dream girl with unsettlingly real problems. As
each of these situations mounts into a tangled trio of romantic holiday crises,
it brings the Borgens to surprising revelations about how endings become
beginnings. (c) Millenium
STAR TREK: INTO DARKNESS
★★★★
Opens in
Australia: 9th May 2013Other Countries: Release Information
OUR THOUGHTS
Let me say up from I am a trekkie. One of my fave shows in the sixties
was Star Trek and then, oh joy, oh bliss, came Star Trek Next Generation and
all the fab follow on series after that and the series of eighties and nineties
movies. In my previous life my company
even sponsored the 11pm Thursday night series of Star Trek Voyager. It was pretty cheap to run ads at that time
of night. So, this reboot was always on
my must see list.
The 2009
J.J. Abrams first Star Trek was such a thrill and despite my concerns after
Abrams LOST series finale letdown, he managed to deliver a great start to the
new series. It was such great fun
watching the new younger versions step into their iconic sixties characters. That
guy who plays Doc really looks like the original doesn't he?
So, I was
bouncing in my seat for Into Darkness.
And it was good but it wasn't beaming me up as I’d hoped. It felt like a bunch of scenes I had seen
before mashed together. I think one of
the scenes was even taken from the 1982 Star Trek II: The Wrath of Khan but with a reversal of the characters.
Gene Rodenberry the original creator of Star
Trek’s vision of the future was one of optimism and hope. He created Star Trek as the perfect example
of how much can be achieved when beings come together for the betterment of
everyone and not just expansion of power. And I think it is the lack of optimism
where the problem lies for me in INTO DARKNESS.
Whilst there is much to enjoy here and I am sure most Trekkies will love
it and most Sci-fi buffs will revel, for me it is missing that special
ingredient. I’ve rated it high though
because lets face it any Star Trek is better than no Star Trek.
STUDIO BLURB
J.J. Abrams delivers an explosive action
thriller that takes 'Star Trek Into Darkness.' When the crew of the Enterprise
is called back home, they find an unstoppable force of terror from within their
own organization has detonated the fleet and everything it stands for, leaving
our world in a state of crisis. With a personal score to settle, Captain Kirk
leads a manhunt to a war-zone world to capture a one man weapon of mass
destruction. As our heroes are propelled into an epic chess game of life and
death, love will be challenged, friendships will be torn apart, and sacrifices
must be made for the only family Kirk has left: his crew. (c) Paramount
The Call ★
Opens in
Australia: 16th May 2013Other Countries: Release Information
OUR THOUGHTS
The first
fifteen minutes of this are tense whilst they set up the plot. You will think I don’t want to sleep alone
tonight. But by the end you will be laughing
into your popcorn bucket. The preview
audience was killing themselves laughing and guffawing at the outrageous
behaviour of the characters which became progressively ludicrous. The serial
killer was insanely overplayed and somehow they managed to make Halle Berry
look most unattractive. What on earth were they thinking?
The Director
Brad Anderson has actually directed some very good television series episodes
of some of my favourite shows (The Killing, Boardwalk Empire, Fringe), so I can
only imagine that he directed this via Skype and the actor’s simply
misunderstood.
Please hang
up on this one. You will be wasting your
dime.
STUDIO BLURB
When veteran 911
operator, Jordan (Halle Berry), takes a life-altering call from a teenage girl
(Abigail Breslin) who has just been abducted, she realizes that she must
confront a killer from her past in order to save the girl's life. (c) Sony
Opens in Australia: 16th May
Other Countries: Release Information
Perth, Australia: See at Luna Cinemas
OUR THOUGHTS
A great
premise, that one random lie and the reaction to that lie, can begin a domino
effect that changes everything for three families living in an English
cul-de-sac. The acting is spot on and
the little girl who plays Skunk the main character, Eloise Lawrence, is simply amazing. The end is shocking when all the threads are
brought together, however it just didn’t pack the punch it promised. Still an
interesting indie film but maybe a DVD watch, unless you are a massive Tim Roth
fan. He’s always so good isn’t he?
STUDIO BLURB
Skunk is 11, diabetic, and pretty cool.
The summer holidays have just begun and her days are full of easy hopes. Then
Mr. Oswald, the ugly man who lives opposite, beats up Rick, the sweet, but
unstable boy next door and Skunk's innocence begins to be drained away at a
speed and in a way she cannot control. Her home, her neighborhood, her school -
all become treacherous environments where the happy certainties of childhood
give way to a fear-filled doubt, and a complex, broken world fills her future.
Skunk seeks solace in the last remaining place where she knows she can find it
- the unspoken friendship with sweet, damaged Rick - and falls into a chaos
where suddenly, joyfully, she has choice thrust back into her hands. The choice
to remain in this place she was never promised, or to leave it entirely - to
live or to die
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